This tree looks like it just dodged a very large bullet. (Taken with instagram)
This tree looks like it just dodged a very large bullet. (Taken with instagram)
It‘s true. Read the blog post by Brian Lynch.
Performance #414: Deerhunter at the Showbox Market
Wow. “600 Years” is a 6 centuries of Prague history condensed into one fantastic 10-minute animation that was projected and mapped to the facade of the IAC building in Prague. Watch with amazement.
/via @alargent and kotkke.org
Facebook can view the video here: http://vimeo.com/15749093
— Douglas Coupland, in an article for Canada’s Globe and Mail titled A radical pessimist’s guide to the next 10 years. /via kottke.org
Testing out Instagram with my favorite boy. (Taken with instagram)
Can’t wait to see this film.
/via Ryan Ray
—
JCPOK, from his post “I got Obama’s Back at Starbucks this Morning” on Daily Kos, about a confrontation he had with some old, rich Republicans in Oklahoma. Thank Jebus there are people like him still living in Oklahoma.
/via Daring Fireball
Beautiful photo, well-written observations from Merlin:
[view larger: 800 x 593 | 6090 x 4515]
Jack Delano - Chopping cotton on rented land near White Plains, Greene County, Ga. (Farm Security Administration, 1941)
A lot of the color photos I’ve seen from before the 1950s strike me as stiff, over-worked, or so experimental as to be a “Hello, World.” They’re cool from a technical standpoint, but they often don’t tell you any more about the subject than a well-produced monochrome image would.
Given the costliness of the film and the complexity of the process, it’s easy to understand why early color photographers had to be choosy about picking the subjects and conditions that their camera could capture well (rather than, as is ideally the case, working the other way around).
But, sometimes, an old color photo brings a distant image to life and produces something kind of special. The best ones make their subjects and their surroundings seem far more real and intimate.
Cute little animation, in a similar style to Plymptoons, from Birdbox Studio, on BBC Comedy.
/via Swiss Miss
Love it.
Yeah, I’m sorry,
I can’t afford a Ferrari…
I guess he’s an Xbox
And I’m more Atari[via Neven]
Wonderful. And, apparently, all it takes to set me off on my semi-annual “Crazy” kick.
If it’s been a while since you’ve toured Gnarls Barkley’s diverse gallery of personas, you really should treat yourself.
Theme: Notes by mikedidthis